special appeal to DJ and music media, etc.
=
special news of 52 Guinness World Record anniversary =
day
15th … (30.11.1970) --- THE END ---
---15-30
November 1970---
-
amazing and sensational Guinness World Record established
--------------------------------------------------------------------------------
52
years ago, English disco deejay Pete Grooves established the first time in the
history of the world and mankind - an Guinness record officially called
--->>
"THE LONGEST CONTINUOUS PERIOD OF ACTING AS A DISC-JOCKEY"
!! Remember that was vinyl records era and it was extremely difficult to set such a record using such sound carriers.
My dear UK DJ friend Pete Grooves – still own above title Disco DJ an unbeaten Guinness World Record since the 1970s - {52 years!!}
---
read more about this sensational story:
https://1952yahudeejay1970.blogspot.com/p/my-uk-friend-pete-grooves-disco-dj.html
---------------------------------------
I'm in touch with Pete today and he describes what it was like then...
1.)
“My first week probably was the hardest then I sort of went in and out of what you might call trances of some sort then near the end I really started having hallucinations , etc.”
2.)
“ I little doze here and there but not sleep , after the record I slept for about three days I think”
3.)
“Had quite a few people watching and also helping to keep me going lol IE coffee and tea etc , I can remember going on TV after but can not remember anything I said to them”
4.)
“What I can remember after a while I sort of went in to what one might say a type of hypnosis I might have drifted a bit but because there was people there all the time they also kept me going with coffee etc I've got a picture of that somewhere I will try and dig it out,, there was situ with news paper reporter's would just sit there and not talk etc that got the moody bit going sometimes”
5.)
“Hi Jan hope all is well,, just to let you know I'm going to be talking to the Guinness book records to try and find out what is going on reff my dj record, cant see how they can say the dj record is 2 hundred and something hours , when I have the paper work, ie a certified certificate from them,,, plus the entry in the 1970/71 book, don't know if anything can be done you end to help”
many regards Pete...
... what is extremely great in this story
(aside of Pete Grooves unbeaten Guinness record)
- Pete (as just a few of us) is still active disco deejay:
* https://www.facebook.com/DJ.Pete.Grooves
What is nasty and very hurtful in this whole story is that Guinness pretends to be deaf and blind and does not honor its certificate!! SHAME FOR GUINNESS - HUGE SHAME !! I have asked them many times but they do not answer definitely and specifically!!
Club / discotheque and deejay media also
behave badly in this situation, as well as organizations that ignore the topic
instead of publicizing it strongly around the world ...
Well, it is what it
is and I can only be sad because of so much indolence, carelessness and
stupidity in this matter. The record is beautiful and valuable and all the more
wonderful that no one has beaten it for 52 years / has not established a better
one ...
52 years unbeaten Guinness DJ-record !!
{why they Guinness + DJ, Music media ignore factand spread / support fakes / lies??
--- why - because they are stupid or drugged ??}
I’m angry because see no respect for the most beautiful
DJ record in the DJ-history ever !!
Guinness seems to have gotten lost in more than half a
century of the records it has confirmed. Undoubtedly, there are also new /
different people working there than 50 years ago. They must have stored the
data incorrectly in the archives of records, because one of them has apparently
been lost to them.
How many more are missing ??
It's good that they issue their certificates, we can show them today and everyone else in the world – I mean the lost and forgotten record from 52 years ago.
On November 15-30, 1970, the English disco deejay Pete
Grooves set the Guinness World Record for the length of uninterrupted disco
events. Steve played 360 hours continuously.
… other words as Guinness wrote / confirmed on –
CERTIFICATE
“The longest continuous
period of acting as a
disc-jockey is 360 hours by
Pete Grooves of Basingstoke, Hampshire, UK
Until today {15-30 November 2022}, that is for 52 years, no one has broken this record !! More - they have not even come close to it !! Even though there are some who lie and cheat by claiming to have such a record.
Guinness, unfortunately, confirms it by taking part in
a swindle !! I have been asking them for explanations for a long time, but they
remain silent or write excuses.
They are ashamed for their negligence and confirming the frauds, or maybe they deliberately want to break the matter off, silence, hide, bury, etc. ??
I hope Guinness will confirm the Steve Grooves record and we will all celebrate
the 52nd anniversary of its establishment - because he has not been beaten
to this day – 15-30 November 2022 !!
This is a great record and very significant in the entire history of deejays in the world.
Jan ‘yahudeejay’ Pawul
pioneer disco deejay worldwide
Disco & DJ historian, writer
Disco DJ Hall of Fame member
read more on special blog:
https://1952yahudeejay1970.blogspot.com/p/my-uk-friend-pete-grooves-disco-dj.html
they spread soooo many terrible lies !!
NOT TRUE !! worldwide disinformation and LIE !!
they do spread fake information
https://mixmag.net/feature/the-guinness-book-of-dj-records
https://www.billboard.com/music/music-news/longest-dj-set-world-record-nigerian-obi-7431268/
https://www.ministryofsound.com/posts/articles/2020/march/italys-quarantined-djs-are-attempting-to-break-world-record-for-longest-dj-set/
https://www.theguardian.com/music/2016/jul/12/dj-obi-sets-new-world-record-for-longest-dj-set
https://www.bbc.com/news/av/world-africa-36717871
https://www.vice.com/en/article/jgpb8k/elias-ahuja-spain-chant-women
https://www.youtube.com/watch?v=G92pctX_bFE&t=8s
https://www.facebook.com/watch/?v=549736898695060&t=2
https://1952yahudeejay1970.blogspot.com/p/my-uk-friend-pete-grooves-disco-dj.html
Guinness 1970 world record by UK deejay
forgotten and beautiful disco
and DJ history fact from the past ...
is 360h by Pete Grooves of UK - november 1970 !!
no one has beaten this DJ-record until today !!
all what I want to do and I do my best for is – to save (in my hands / my eBook)
as much as possible of whole disco history for future generations
- this is my life goal and passion –
The difference between ignorance and awareness is wisdom
We don't know where we are going unless we know where
we've been
Without that knowledge... history is gone with the wind
Pete Grooves
UK – DISCO pioneer discjockey
owner of unbeaten “Guinness World Record” since the 1970s
“Guinness World Record”
THE LONGEST CONTINUOUS PERIOD (360h) OF ACTING AS A DISC-JOCKEY
interview for the book:
“SILENT RECORDS”
- DISCO HISTORY -
by
Jan yahu Pawul
Y@HU - This time
my interview is with Pete Grooves - an UK deejay,
discotheque
pioneer who remembers what was interesting in the ’70 DISCO ERA .
Y@HU - when did you decide to become a disc jockey
- when and where did it really start
- how
long have you been a deejay ?
Pete Grooves - 1968 in at a
church youth club.
YOUR
MEMORIES
Y@HU - Tell me something (as much as possible) about the pioneer deejays or artists you know / you've met in your career ?
Pete Grooves - the pioneer dj days I suppose go back to the pirate radio days which i had the pleasure of working with some of the djs when they moved to ‘bbc radio one’ djs like the Emperor Rosko, the late Ed Stewart, David Hamilton, etc.
Y@HU - Do you keep /
hold any contact with the other disco deejays /artists / '70 mega stars (can
you mention any names) with whom you've become close friends maybe, because of
your work ?
Pete Grooves - still in touch with Rosko also Barry Biggs who had a number one hit with a sound called SIDESHOW and a few more, etc.
Y@HU - Tell me about
the most exciting moments in / about your deejay / producer career ?
Pete Grooves - Breaking my world record in November 1971 has to be number 1 but a very close 2 would be seeing the 2000s in a venue never to be forgotten.
Y@HU - Do you remember
/ can you tell which was your best DJ gig ever ?
Pete Grooves - apart from working with the big boys lol , its got to be seeing the Millennium starting at 19:00 on the 31st of Dec 1999 and ending in 2000 at 07:30 (loads of money )
Y@HU - Who were (as
you remember) some of the great parties and DJs of the time ?
Pete Grooves - got to be ROSKO
he taught me a lot in the dj world
Y@HU - Have you ever
done something else or is DJ'ing your life ?
Pete Grooves - I set up a
garage and also had a taxi company then sold them off
Y@HU - Since you're
one of the pioneer disco DJ's - how was the DJ regarded in the beginning and
how has it changed during the years ?
Pete Grooves - in the early days you had the groups thinking we were going to take all the work etc. but now things have got more sophisticated etc
Y@HU - What do you
think about today’s techno / house etc. and deejays who use old tracks,
samplers, CD mixers, put new beats of computer programs, and "create"
special versions of the songs and burn CD's at home of their "creations?”
or produce on 12” vinyl. Is this serious or just fake ? - I mean they create
nothing in fact - they just use good music made by someone else from the past.
In other words they can create nothing if it wasn’t from such old, good records
of the '70 ?
More explanations to this very important question:
What if people (poets, writers, painters) change (destroy in fact) great poetry, books, paintings - if they cut of parts of the well known poetry, books, paintings - mix them and pretend it is new and created by them. My opinion if any deejays / producer - want to be creative – then should create own music as Vince Montana did, as many other real musician / producers did in the past. Techno / house deejays just use other music and destroy with wrong BPM, sound, etc.
Disco music not belongs to techno / house - it is very separate music of the past and it is good as it was created - need no any shit changes - "creations" of the people who have no idea, knowledge - do not know how to play instruments. This is very sick if deejays pretend music creators. Deejays are just to play other people - real musicians music - that is it.
House music is OK for those who like it (NOT ME - because it is too much techno - machines play too much - not real musicians) but house not existed if not use this unique rhythm created by real musician - Salsoul Orchestra and many other drummer - Earl Young. Earl is godfather of house music - not any shit deejay who just stole Earl Young creation and pretend as his own.
Problem with present time deejays is - they pretend someone - they are not in fact. They hire real musician to create and record music in the studio - then put his nick name or name on CD cover and pretend this all music is created and made by them. It is shit crime !!! - shit crime.
No one ever in the music history did such dirty tricks before - except one German producer name Frank Farian who created fake and plastic "artist" name Milli Vanilli. Do you remember that their fake creations got Grammy and then they should give back Grammy because of crime they did ???!!! Same creators as this F. Farian and his shit Milli Vanilli are today’s techno / house "creators" / deejays whose cut and mix pure disco music and destroy all in their own sick way. On the end - can you imagine my interview with you other writer cut - mix and publish under his name as his interview with you as his "creation" ? It would be shit stupid crime – simply against author and copyright law !!!
Pete Grooves - - - - - -
Y@HU - Where do you
live now ?
Pete Grooves - Somerset UK
Y@HU - Who were (as
you remember) some of the great show and artist of the time ?
Pete Grooves - - - - - -
Y@HU - Do you regular
work now as a deejay ?
Pete Grooves - yes
Y@HU - What music style
do you prefer and vinyl or CD or computer memory ?
Pete Grooves - anything with a
good beat ie dancey and party etc. CD or vinyl
Y@HU - What was your
favorite club you worked for ?
Pete Grooves - that’s got to be the ‘watneys group’ called the ‘birdsnest o’ and a night club called the Angel ...
Y@HU - Do you plan to
write any book about ’70 discos / deejays or an autobiography ?
Pete Grooves - no I will leave
to the pros like yourself ....
Y@HU - No doubt for me
that black artists created late ’70 disco music, disco history based on soul
and R&B - what is your point of view ?
Pete Grooves - emm but did they I like to think it was a bit of a mix you also had the old pop music that went down well
Y@HU - Do you feel yourself as connected any way to the deejays whose created late ’70 disco - discotheques and today clubs history based on soul and R&B ?
Pete Grooves - I have been
lucky to have been involved on all sides
Y@HU - Do you prefer
very early old style, (radio close style) deejays use microphone, speak to the
people /audience or those came later - just mixing records with BPM, pitch
control ? I mean the original club / disco deejay technique of very early ’70
before beat matching / mixing ?
More explanations to this very important question:
OLD SCHOOL DEEJAY – I UNDERSTAND IS PROUD TO PLAY MUSIC PUBLIC AND SAY WHO IS THE ARTIST. (that is the old school deejay do - I mean talk to audience / inform - not just mix) Audience have to know who is the artist of a great track - this is first rule of real deejay and serious music business :-)
OTHER WAY HOW AUDIENCE TO KNOW WHAT TO BUY ?? HOW ARTISTS BECOME KNOWN AND POPULAR ?? JUST MIXIN' (last years style of deejays = poor style) - MEANS NOT MUCH TO THE ARTIST, to the labels, producers.
It is simply not much useful. Just mixin' means to play music anonymous among thousands of other tracks and no one know who is the artist. THIS IS VERY, VERY(!) WRONG DEEJAY STYLE OF PRESENT TIME. DO REMIXES BY DEEJAYS I UNDERSTAND AS KIND OF “REPAIR” WHAT ARTISTS, PRODUCERS DID IN THE STUDIO – WHAT MEANS that THOSE REMIXERS / DEEJAYS KNOW BETTER WHAT ARTISTS AND PRODUCERS WANT TO PRODUCE AND PUBLISH.
DO NOT TRUST ARTISTS AND PRODUCERS AND DO
OWN REMIXES (hell know for) IS KIND OF SERIOUS SICK of PRESENT TIME DEEJAYS
(over-ego). DEEJAY IS PERSON WHOSE JOB IS SIMPLY JUST PLAY MUSIC TO THE
AUDIENCE AND INFORM(!) WHAT HE PLAY. DEEJAY SHOULD TO KNOW HOW TO MIX, HOW TO
SPEAK (good voice sound + technique of announce) TO THE MICROPHONE, GET PROPER
KNOWLEDGE AND CONTACTS.
Pete Grooves - yes I think
that’s the way it should be the real way of disco talk but don’t over talk
Y@HU - What was your
favorite club, how do you remember: Studio 54, Sanctuary, Limelight, Funhouse, Gallery,
Palladium, Paradise Garage or maybe David’s Mancuso – Loft, ETC. ?
Pete Grooves - - - - - -
Y@HU - are you
married, any children ?
Pete Grooves - was now
divorced and yes three boys
Y@HU - What is your
life now - deejay, producer - what projects are you working on ?
Pete Grooves - dj with a new show
called the instant replay
Y@HU - Has today's
music become too technically driven, thus losing some of its magic touch when
you were performing ?
Pete Grooves - no I perform to
the audience
Y@HU - Tell me about
your cooperation with any labels (if) ?
Pete Grooves - N/A (not applicable)
Y@HU - What do you
think of the Disco era now – after so many years ?
Pete Grooves - still good
depending how the dj puts it across
Y@HU - Do you see /
recognize many disco era music / style concerts around with original artists,
music, style, hit songs and same about deejays (disco gigs) ?
Pete Grooves - I think it
depends on the function/gig
Y@HU - It looks like
some deejays, disco pioneers, artists, musicians, disco websites owners /
editors, etc. – they sometimes seems jealous or what and do not help in
contacts to other disco era pioneers if I ask them help in my disco history
work – they do not want to cooperate to save as much as possible knowledge for
history, for future generations - WHY ?! Are people ashamed of this because at
the end of '70 was, a terrible and max stupid bashing disco - "disco
sucks" – organised by punk – rock losers ?
Pete Grooves - I’ve got to agree with you there I’ve had groups saying silly things like we are taken all the work the way I see it if they are any good they would not have a prob ...
Y@HU - What is your opinion about how present time people save (or do not) disco history for future generations – is this enough what they do or history may disappear for good ?
Pete Grooves - if it wasn’t
for writers like you we would be stuck ...
Y@HU - Did you ever cooperate (as writer) with any disco magazines (below) back then ? (best disco / DJ magazines that time)
• Billboard Disco Sourcebook 1975 / '76, '77, '78, '79 - USA , Lee Zhito
editor
• Melting Pot – NADD (National Association of Disco Dee Jays) - USA - Bob
Casey editor
• Disco Star , New York , USA , Art E. Scott editor
• Progressive Platter, Boston, USA, Cosmo Wyatt editor
• Disco Gossip magazine , Chicago , USA , Alfred Cain editor
• Disco News , New York , USA , Scott Anderson editor !!!!!
• Discothekin' , New York , USA , Alex Kabbaz editor !!!!!
• Discotheque , Los Angeles , USA , Bernard Blain editor
• Disco World , New York , USA , Susan Friedman editor !!!!!!
• Discotrade , New York , USA , Nicole Sehmon editor
• Mix Master , New York , USA , Michael Gomez
• Disco Encyclopedia by Marianne Ilaw , St. Albans , NY , USA !!!!!!
• Steppin' Out , Los Angeles , USA , Jeff Kutash editor
• DISCONET magazine , New York , USA
• DeeJay Monthly, London, UK, Ben Cree editor and NADJ (National
Association of DeeJays) President
• Disco Mirror , London , UK , Mike Sharman editor (?)
• Disco International , London , UK , Gerry Gilbert editor
Pete Grooves - NME and Melody
Maker all in the UK
Y@HU - What do you
think of today’s discotheque and deejay scene ?
Pete Grooves - good
Y@HU - What is your
best remix you ever did ?
Pete Grooves - can’t remember
Y@HU - Why did you
left disco business ?
Pete Grooves - N/A (not applicable)
Y@HU - Have you won
any awards for your career / gold records, etc. ?
Pete Grooves - I hold a world
record
Y@HU - Do remember any
hit records titles and artist names you were mixed at the time ?
Pete Grooves - to many lol
Y@HU - How do you remember late ’60 and very early ’70 disco deejays whose mixed and commented in radio style listed below - rock, pop, r&b, funk, soul artists music to dance in the first discotheques ?
Atlanta Rhythm Section, Deep Purple, Budgie, Cream, Jimi Hendrix, Jimmi Castor, Stax Sound, Philadelphia Sound, Motown Sound, James Brown, Aretha Franklin, Ray Charles, Louis Armstrong, Betty Davis, Staple Singers, Otis Redding, Al Bell, Carla Thomas, Booker T & MG’s, Wilson Pickett, William Bell, Isaak Hayes, BarKays, Johnnie Taylor, Rufus Thomas, Sam & Dave, Albert King, Steppenwolf, Sugarloaf, Iron Butterfly, Pink Floyd, Janis Joplin, Black Sabbath, Ten Years After, Jethro Tull, Grand Funk Railroad, Led Zeppelin, Sly & Family Stone, Dennis Coffey, Free, Fleetwood Mac, Vanilla Fudge, Free, Jefferson Airplane, Lynard Skynard, Big Brother & Holding Company, Cozy Powell, Nazareth, J Geils Band, Three Dog Night, James Taylor, Carly Simon, Poco, Linda Rondstadt, America, Sweet, Slade, T-Rex, Blood Sweet & Tears, Little River Band, Chicago, Van Morrison, Uriah Heep, Savoy Brown, Moody Blues, Guess Who, Doobie Brothers, Doors, etc.
- how it
all did start - whatever happen’ later. No doubt – discotheque and deejay
history is not ONLY (?!) Bee Gees, Saturday Night Fever, Donna Summer, Larry
Levan, Paradise Garage, David Mancuso, The Loft, Studio 54, Nicky Siano, etc.
Pete Grooves - I can remember
most of them the good sounds
Y@HU - How significant
was this whole stinky and dirty affair with Chicago’s ‘Comiskey Park’
anti-disco riot and this punk, pseudo DJ creator name Steve ‘anything’ ?
Pete Grooves - just let them
get on with it
Y@HU - How disco was
labelled around that time and why – “as fag” ?
Pete Grooves - in the 70s/80s
it was the good times
Y@HU - How valid that
time in real(!?!) was: Larry Levan, Paradise Garage, David Mancuso, The Loft,
Studio 54, Nicky Siano, Bee Gees, Saturday Night Fever - maybe it was / they
were too much publicity than real value for disco, deejay and music scene and
it stay like this until today for a few history less educated people ?
Pete Grooves - - - - - -
Y@HU - What was the
last impact of those early ’70 disco ?
Pete Grooves - went with the
flow it was good
Y@HU - What is your
opinion about those DISCO history books – I mean are all those books real disco
history facts or maybe a little bit created by authors / fake disco history(?):
* This business of Disco by Radclife Joe
* Disco by Albert Goldman
* Turn the beat around by Peter Shapiro
* Last Night A DJ Saved My Life by Bill Brewster, Frank Broughton
* My Life And The Paradise Garage - Keep On Dancing by Mel Cheren
* Saturday Night Forever: The Story of Disco by Alan Jones, Jussi Kantonen
* Love Saves the Day: A History of American Dance Music Culture, 1970-1979
by Tim Lawrence
* The Disco Files 1973 – 78 by Vince Aletti
* And Party Every Day (the inside story of Casablanca Records) by Larry
Harris
* The Record Players by Bill Brewster & Frank Broughton
Pete Grooves - - - - - -
Y@HU - Can you write a
few words of your(!) short, private opinion about USA deejays they were
over-rated maybe or NOT deserved fame / publicity they got ?
David Mancuso –
Richie Kaczor -
Nicky Siano -
Tom Savarese –
Steve D’Acquisto –
Michael Capello –
Francis Grasso –
Larry Levan -
Bobby Viteritti -
Tony Smith -
John 'Jellybean' Benitez -
Bobby Guttadaro -
David DePino -
Eddie Rivera -
Walter Gibbons -
Francis Kevorkian -
Tee Scott -
Robbie Leslie -
Danae Jackovidis -
Paul Casella –
Frankie Knuckles –
Barry Lederer –
Pete Grooves - over rated most
of them
Y@HU - One of the
biggest, very early disco pioneer deejay name of ’70 was Tom Savarese
(Billboard deejay of the year 1976 / ’77). No one even know how is he and where
now. Some people even thought and published information that he is died.
Another disco era pioneer deejay Barry Lederer died of heart attack in his NYC apartment
alone and they found him a few weeks later. Same happened to many disco era
heroes. It seems as disco / club deejay world / environment forgot about their
roots and people whose created club business and seems like today deejays and
media do not care disco era heroes. Do you think is this good idea to create
special organisation and fund (DISCO AID) to help poor and health weak disco
era heroes in everyday life, etc. ?
Pete Grooves - it would not be
a bad idea
Y@HU - What about
Record Pools - which did you belong to - when and how long ? How many records
did you receive from them – weekly / monthly ?
Pete Grooves - N/A (not applicable)
Y@HU - Have you still
got/hold your DJ record collection ?
Pete Grooves - most of it
Y@HU - Could you name
some of your favorite Disco songs ?
Pete Grooves - Rick James (Super Freak) Blondie (Heart of Glass) Motown Night Fever, Bee Gees, Funky Town, Disco Inferno, Mavericks Boney M, Earth Wind & Fire, Donna Summer to many to list
Y@HU - Did you like
Disco music during ’70, ’80 disco era?
Pete Grooves - yes
Y@HU - What kind of
music do you personally prefer ?
Pete Grooves - most types pop
etc dancey
Y@HU - Do you remember
/ can you write who was or what was (in your opinion):
* best artist of the ’70 disco era (1970 – 1980) ?
* best deejay of the ’70 disco era (1970 – 1980) ?
* best dancer of the ’70 disco era (1970 – 1980) ?
* best disco owner the ’70 disco era (1970 – 1980) ?
* best journalist of the ’70 disco era (1970 – 1980) ?
* best producer of the ’70 disco era (1970 – 1980) ?
* best book about disco history of the ’70 disco era (1970 – 1980) ?
* best disco magazine of the ’70 disco era (1970 – 1980) ?
Pete Grooves - - - - - -
Y@HU - Why deejay
profession was degraded and lowered the position of very early ’70 disco deejay
with microphone and talk to audience / comment / introduce / present records
short way - to kind of person who just changing records as human juke box –
eventually do (this or that) mix = destroy original recordings - what in fact not
interested to audience smallest way – it is interested to a few maniacs and
deejays whose delight and excite only ?
Pete Grooves - anyone can just
put records/CDs on and play them
Y@HU - I'm very early
'70 pioneer disco deejay and disco historian also and I know for sure that
first disco deejays were similar to radio deejays and used microphone to talk
specific comment (other than radio) to mix 7" singles. Then deejay mixer
came and this method stay as main because much, much easier than earlier one. Simply
- in this method deejay do not need good voice to speak to the audience.
Pete Grooves - same as above - We know circa where and when 12" maxi disco singles start / born - however hard to agree for the very first one :-)) BUT ??! - - - there is much more important question now:
Y@HU - tell US / WRITE the story of where remixing by disco era deejays was born, which was obviously people like yourself who began as DJs then used your experience to work on records.
- - - Who was first disco era deejay remixer / or group of deejays ?
Pete Grooves - to me pirate
radio
Y@HU - How it was and
why – some deejays got huge fame but other same good deejays – NOT ??
Pete Grooves - again the BBC
wanted to shut down the pirates
Y@HU - breaking the
Guinness record - how it was organised in details ?
Pete Grooves - in a 24 hrs
taxi office
Y@HU - What equipment
did you used ?
Pete Grooves - ‘Marshall’ amps
etc.
Y@HU - How many people
help you and how ?
Pete Grooves - 5/6 and a
doctor
Y@HU - Did you got any
valuable award (from Guinness or anyone) ?
Pete Grooves - yes certificate
etc.
Y@HU - How this record
was recognized and commented on in the world ?
Pete Grooves - Guinness world
records
Y@HU - does any of below famous disco / DJ magazines contact you, interview, etc.
Melting Pot - USA - Bob Casey editor
Disco DJ - NYC - USA
Disco Star , New York , USA , Art E. Scott
editor
Progressive Platter, Boston, USA, Cosmo
Wyatt editor
Disco Gossip magazine , Chicago , USA ,
Alfred Cain editor
Disco News , New York , USA , Scott
Anderson editor
Discothekin' , New York , USA , Alex Kabbaz
editor
Discotheque , Los Angeles , USA , Bernard
Blain editor
Disco World , New York , USA , Susan
Friedman editor
Discotrade , New York , USA , Nicole Sehmon
editor
Mix Master , New York , USA , Michael Gomez
Disco Encyclopedia by Marianne Ilaw , St.
Albans , NY , USA
Steppin' Out , Los Angeles , USA , Jeff
Kutash editor
DISCONET mixed records + magazine , New
York , USA
Dee Jay Monthly , London , UK , Ben Cree
editor and NADJ President
Disco Mirror , London , UK , Mike Sharman
editor
Disco International , London , UK , Gerry
Gilbert editor
Mix Mag, London, UK, Tony Prince editor
(early ’80 issues)
Pete Grooves - To be honest Jan I Can’t remember
Y@HU - How did you
prepared yourself (mentally and phisically) for such a hard record ?
Pete Grooves - I was quit fit
etc., my sport was boxing ‘aba’
Y@HU - Has this feat
caused any damage to your health ?
Pete Grooves - emm I can now
have ten mins sleep and then go on 8hrs or so
Y@HU - What this
record changed in your deejay career ?
Pete Grooves - got me working
with other pros, etc.
Y@HU - has your
professional DJ position among British deejays increased significantly?
Pete Grooves - Yes I think so
Y@HU - have you been
invited to many significant events and earn proper money of ?
Pete Grooves - Yes
Y@HU - When did you
finished your deejay career ?
Pete Grooves - not stopped yet
…
Y@HU - Did you play
day and night non-stop ?
Pete Grooves - Yes
Y@HU - I believe no
problem with food and drink but what about sleep while setting a record ? Did
you sleep - how long and how or did you not sleep for so many days and nights ?
Hard to imagine …
Pete Grooves -
Y@HU - What more do you want to tell – I mean - is there anything I did not ask BUT you want to tell us about ?
Pete Grooves - - nope I think
you have done well
Y@HU - Thank you and
let me ask you some questions again in some time - OK.?
Pete Grooves - your welcome
PostScriptum
Pete Grooves -
interview - citation of the 'Silent Records' book done
26 November 2019
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